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NAB 2015 Impressions: ARRI S60/S30 Skypanel LED

NAB 2015 Impressions: ARRI S60/S30 Skypanel LED

The ARRI S60 and S30 Skypanel lighting system. This LED based product has the same sort of hue and saturation tuning that made their L7C LED Fresnel popular. And you get ARRI’s legendary brand of functionality, versatility, and durability to boot. A variety of front panel inserts allow you to shape the beam to suit the needs of your environment.  Both the larger S60 Skypanel and the smaller S30 can be powered by a block battery, making it an excellent soft light source for the mobile shooter. Additionally, the Skypanels are fully DMX controllable. We expect ARRI to give Kino Flo and LitePanels a run for their money with this product! Bookmark it to Stumbleupon, Digg, and more! Hide...

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IDX Wevi Cam Wave Wireless HD-Video Transmission System

The IDX Wevi Cam Wave CW-5HD Video Transmission System offers a versatile solution for video playback on mobile and remote shoots.  With an integrated V-Mount, the lightweight Wevi transmitter mounts directly to the camera and accepts Anton Bauer batteries.  Automatically differentiating between HD-SDI and SD-SDI signals, the Wevi Wireless Video System is capable of transmitting a standard definition or high definition signal up to 150 feet.  Employing 2-channel embedded audio, the Wevi High Definition System also ensures audio/video synchronization without any additional cabling or technology. Available for rental at Moving Picture, we have seen the Wevi Wireless HD System enhance Video Assist on multiple jobs throughout the past six months.  Need to transmit an HD signal from a steadicam?  Shooting on a RED or ARRI Alexa camera and require a wireless feed to your director’s hand held monitor?  The possibilities are endless, rent the IDX Wevi Cam Wave CW-5HD Video Transmission System for your next shoot! Bookmark it to Stumbleupon, Digg, and more! Hide...

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The New ARRI ALEXA

ARRI’s newest digital camera, the ALEXA, is set to roll out this summer on a limited run.  Featured prominently at this year’s NAB Convention in Las Vegas, the ARRI ALEXA is already being touted as the next evolution in digital cinema. Utilizing their experience as industry leaders in film camera production, ARRI’s latest effort aims at maintaining this reputation on the digital front.  With an ARRI-made Super 35 format sensor, the ALEXA can shoot 1080P direct to the camera. SxS cards handle the onboard storage for the ALEXA, creating a seamless workflow from shooting to editing.  The ALEXA allows you to shoot full 1080P video, encoded down to the SxS cards in Final Cut Pro native codecs (ProRes 422 and ProRes 4444).  This means you can shoot a scene, pop the card into your computer and begin editing immediately without wasting a moment on conversion. Utilizing a Dual Gain Architecture (DGA) in its CMOS sensor, the ALEXA ensures the same wide exposure latitude across a range of sensitivity from EI 200 to EI 1600.  This generates low noise images with good detail in highlight and shadow areas.  Coupled with the versatility and dynamic range of 13.5 stops, the ALEXA captures a film-like aesthetic unlike any other digital camera. The ALEXA’s Exchangeable Lens Mount (ELM) system allows for the use of all 35mm PL mount lenses as well as Panavision, Canon or Nikon lenses.  Additionally, the ALEXA’s electronics system can easily be removed and replaced for future upgrades. With a great deal of buzz surrounding the ALEXA’s unique versatility and design, many are projecting that it will redefine the film industry’s expectations of competing gear such as the RED camera systems.  Designed for use across feature, television, commercial, documentary, and music video genres, the ALEXA will become available in late June, 2010.  Moving Picture plans on holding ALEXA training in the summer of 2010 in Miami, Florida.  Rent this revolutionary camera from Moving Picture this summer. Bookmark it to Stumbleupon, Digg, and more! Hide...

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The ARRI M18 HMI

ARRI introduced its new ARRI M18, an 1800W SE HMI, at last year’s NAB convention in Las Vegas.  Having become available this past summer, the M18 has proven itself as a versatile and efficient lighting system.  With an average lamp life of 750 hours and a tagline as “the brightest HMI you can plug into the wall,” the M18 combines convenience with dependability. The M18 combines elements of PAR and Fresnel optics to spread an even beam of “TrueBlue” light that is adjustable from 20-60 degrees.  This lens-less system provides an intense and broadly focusable output without any need to reach for spreader lenses. The M18 is deceivingly small for the amount of power it packs.  At less than 25 pounds, the M18 is no bigger than a 1200W PAR yet it has a 70 percent higher light output.  Adding to the versatility is the newly designed EB 1200/1800 electronic ballast.  This allows for seamless switching between 1200W and 1800W functions, thus doubling the M18’s abilities without any cumbersome increase in size. Bookmark it to Stumbleupon, Digg, and more! Hide...

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