{"id":507,"date":"2011-06-03T14:42:15","date_gmt":"2011-06-03T21:42:15","guid":{"rendered":"https:\/\/blog.movingpicture.com\/?p=507"},"modified":"2018-09-13T11:06:29","modified_gmt":"2018-09-13T18:06:29","slug":"zeiss-cp-2-lenses-available-for-rent","status":"publish","type":"post","link":"https:\/\/blog.movingpicture.com\/zeiss-cp-2-lenses-available-for-rent\/","title":{"rendered":"Zeiss Compact Prime CP.2 Lenses Available for Rent"},"content":{"rendered":"<p>Zeiss has been established as a top end lens manufacturer for decades. The release of their innovative Compact Prime CP.2 lens set has only continued to build on this reputation. Engineered to offer tremendous lens quality to a range of users, the Zeiss CP.2 lenses are available with both PL and EF (Canon) mounts. This opens up a broad range of usability across camera systems (Canon DLSRs, Sony PMW-F3, ARRI Alexa, etc). With a purchase price of around $4,000 per lens, the Zeiss CP.2 lens set is an accessible purchase for serious filmmakers. For those who aren\u2019t ready for that kind of monetary commitment, the Zeiss CP.2 lens set is available for rental at Moving Picture. Contact us anytime for more information!<\/p>\n<div align=\"center\"><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/-rr9K9iml6E\" width=\"560\" height=\"349\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\nCamera\/Lens Test Shot by Justin Marx<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Zeiss has been established as a top end lens manufacturer for decades. The release of their innovative Compact Prime CP.2 lens set has only continued to build on this reputation. Engineered to offer tremendous lens quality to a range of users, the Zeiss CP.2 lenses are available with both PL and EF (Canon) mounts. This opens up a broad range of usability across camera systems (Canon DLSRs, Sony PMW-F3, ARRI Alexa, etc). With a purchase price of around $4,000 per lens, the Zeiss CP.2 lens set is an accessible purchase for serious filmmakers. For those who aren\u2019t ready for that [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":464,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,333],"tags":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blog.movingpicture.com\/wp-content\/uploads\/2011\/04\/AG-AF100_Zeiss-CP.2.jpg?fit=350%2C294&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/posts\/507"}],"collection":[{"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/comments?post=507"}],"version-history":[{"count":7,"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/posts\/507\/revisions"}],"predecessor-version":[{"id":1805,"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/posts\/507\/revisions\/1805"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/media\/464"}],"wp:attachment":[{"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/media?parent=507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/categories?post=507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/tags?post=507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}