{"id":544,"date":"2011-07-27T07:09:11","date_gmt":"2011-07-27T14:09:11","guid":{"rendered":"https:\/\/blog.movingpicture.com\/?p=544"},"modified":"2018-09-13T11:38:29","modified_gmt":"2018-09-13T18:38:29","slug":"recent-production-orsini-studios-you-know-you-want-to","status":"publish","type":"post","link":"https:\/\/blog.movingpicture.com\/recent-production-orsini-studios-you-know-you-want-to\/","title":{"rendered":"Recent Production, Orsini Studios – You Know You Want To"},"content":{"rendered":"

Boston-based Orsini Studios<\/a> recently came to South Florida for production of \u201cYou Know You Want To,\u201d a commercial for Connecticut Natural Gas<\/a>.\u00a0 Originally a still photographer, Craig Orsini<\/a> has recently grown into a director\/producer\/DP and partnered with fellow Bostonians, Element Productions<\/a>.<\/span><\/p>\n

\"\"<\/a><\/span>With plans to shoot at New Art Studios<\/a> in Miami, Orsini came to Moving Picture for lighting, grip, camera package, lens package, and HD monitors.\u00a0 In addition to equipment rental, Moving Picture<\/a> provided a supporting crew that consisted of a camera assistant, gaffer, media manager \/ downloader, and production assistant.<\/span><\/p>\n

While an experienced DSLR shooter, Orsini chose to shoot this spot with the more robust Sony PMW-F3<\/a>.\u00a0 We coupled our Zeiss Compact Prime CP.2<\/a> lens set with Orsini\u2019s F3 package to create a film-quality package at a fraction of the price.\u00a0 With the help of his camera assistant, Orsini was able to change lenses quickly to capture exactly what he needed with each individual subject.\u00a0 Recording to Sony 32GB SxS cards<\/a>, Orsini was also able to rely on our media manager to download and back up footage throughout the day.<\/span><\/p>\n

Subjects were placed in front of a white backdrop for a clean, studio look.\u00a0 The gaffer worked with Orsini to accomplish the ideal lighting scenario.\u00a0 This was done through the construction of a \u201cbook light.\u201d\u00a0 A book light makes use of bounced, diffused light.\u00a0 A lamp is directed onto a reflective surface and effectively bounced through a diffusion material onto the subject.\u00a0 The surface (usually white) is adjoined on one side to the diffusion creating an open \u201cV\u201d shape, like a partially open book standing on its end.\u00a0 In this case, the gaffer bounced a 12000W ARRI Fresnel<\/a> off of a 12\u2019 x 12\u2019 Ultrabounce and then directed it through a 12\u2019 x 12\u2019 light grid cloth.\u00a0 First the Ultrabounce and 12000W Fresnel were set up to achieve the correct angle and then the light grid was brought in.\u00a0 The result was a very soft, directional light that wrapped around the talent.\u00a0 Additional support included ARRI T2 2000W Fresnels<\/a>, ARRILITE 2000W Open Face<\/a> fixtures, Matthews Grip Mombo Combo stands<\/a>, and an electrical distribution package.<\/span><\/p>\n

See the final commercial here:<\/span><\/p>\n

Orsini Studios – You Know You Want To<\/a>
\n<\/span><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Boston-based Orsini Studios recently came to South Florida for production of \u201cYou Know You Want To,\u201d a commercial for Connecticut Natural Gas.\u00a0 Originally a still photographer, Craig Orsini has recently grown into a director\/producer\/DP and partnered with fellow Bostonians, Element Productions. With plans to shoot at New Art Studios in Miami, Orsini came to Moving Picture for lighting, grip, camera package, lens package, and HD monitors.\u00a0 In addition to equipment rental, Moving Picture provided a supporting crew that consisted of a camera assistant, gaffer, media manager \/ downloader, and production assistant. While an experienced DSLR shooter, Orsini chose to shoot […]<\/p>\n","protected":false},"author":4,"featured_media":547,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[264,3,22,333,102],"tags":[396,395,397,400,392,402,398,403,399,401,391,394,393,385],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blog.movingpicture.com\/wp-content\/uploads\/2011\/07\/YouKnowYouWantTo.jpg?fit=1216%2C684&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/posts\/544"}],"collection":[{"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/comments?post=544"}],"version-history":[{"count":6,"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/posts\/544\/revisions"}],"predecessor-version":[{"id":1811,"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/posts\/544\/revisions\/1811"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/media\/547"}],"wp:attachment":[{"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/media?parent=544"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/categories?post=544"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.movingpicture.com\/wp-json\/wp\/v2\/tags?post=544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}